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Wednesday, October 6, 2010

Under the Buckeye Trees / Tales from the ARK in Berea


Tales from the ARK in Berea


Under the Buckeye Trees



Bears in Berea? - David Jakupca said - Oh, yes, there are two varieties on this side of the Rocky River. The chief difference between them is that the one kind of bear is a few degrees blacker in color than the other kind. But when you meet a bear in the woods, unexpectedly, you seldom trouble yourself to find out what kind he belongs to. That is unnecessary. Because, whatever kind of bear it is that you run across in this way, you only do one kind of running. And this is the fastest kind.

I remember the occasion that I came across a bear unexpectedly, and to this day I couldn't tell you what color black he was.....whether pitch, lamp or ivory black, even though I am an expert environmental artist and had all the time I needed for studying him! It happened about mid-day, when I was out from The ARK in Berea walking along the path that leads to Rocky River, looking for my dogs Rolfe, Thor and Tanya.
I thought the dogs might be down there because it is cool and shady by the river under those buckeye trees, and there is soft grass that is very pleasant to sit on. After I had looked for the dogs for about an hour in this manner, sitting up against a tree-trunk, it occurred to me that I could look for them just as well, or perhaps even better, if I lay down flat.
For almost every one in Berea knows that Rolfe isn't so small that you have got to get on to stilts and things to see him properly.

So I lay on my back, with my hat tilted over my face, and my legs stretched out, and when I closed my eyes slightly the tip of my boot, sticking up into the air, looked just like Big Rock.

Overhead a lonely hawk wheeled, circling slowly round and round without flapping his wings, and I knew that not even a puppy could pass in any part of the sky between the tip of my toe and that hawk without my observing it immediately. What was more, I could go on lying there under the buckeye trees and looking for the dogs like that all day, if necessary. As you know, I am not the sort of neighbor to loaf about when there is a yard work to be done.

The more I screwed up my eyes and gazed at the toe of my boot, the more it looked like Big Rock. By and by it seemed that it actually was Big Rock, and I could see the stones on top of it, and the bush trying to grow up its sides, and in my ears there was a far-off humming sound, like bees in an orchard on a still day. As I have said, it was all very pleasant.

Then a strange thing happened. It was as though a huge dark storm cloud, shaped like an animal's head, had settled on top of Big Rock. It seemed so funny that I wanted to laugh. But I didn't. Instead, I opened my eyes a little more and felt glad to think that I was only dreaming. Because otherwise I would have to believe that the black cloud on Big Rock was actually a bear, and that he was gazing at my boot. Again I wanted to laugh. But then, suddenly, I knew.

And I didn't feel so glad. For it was a bear, all right - a large-sized, hungry-looking bear, and he was sniffing suspiciously at my feet. I was uncomfortable. I knew that nothing I could do would ever convince that bear that my toe was Big Rock. He was not that sort of bear. I knew that without even knowing what color black he was. Instead, having finished with my feet, he started sniffing higher up. It was the most terrifying moment of my life. I wanted to get up and run for it. But I couldn't. My legs wouldn't work.

Every big game hunter I have come across has told me the same story about how, at one time or another, he has owed his escape from lions and tigers and bears and other wild animals to his cunning in lying down and pretending to be dead, so that the beast of prey loses interest in him and walks off. Now, as I lay there on the grass, with the bear trying to make up his mind about me, I understand why, in such a situation, the hunter doesn't move. It's simply that he can't move. That's all. It's not his cunning that keeps him down. It's his limp legs.

In the meantime, the bear had got up as far as my knees. He was studying my trousers very carefully, and I started getting embarrassed. My trousers were old and rather unfashionable. Also, they were spattered with paint because I had just finished painting The Minstral Boy for the Bermuda Maritime Museum, and I wore them for the whole time I was doing the painting. And possible for a few paintings before that. The bear stared at my spattered trouseres for quite a while, and my embarrassment grew. I felt I wanted to explain about the Bermuda painting. I didn't want the bear to get the impression that I, David Jakupca was the sort of man who didn't care about his personal appearance.

When the bear got as far as my shirt, however, I felt better. It was a good blue flannel shirt that I had bought only a few weeks ago from the Secound Mile shop in Berea, and I didn't care how many strange bears saw it. Nevertheless, I made up my mind that next time I want to lie on the grass under the buckeye trees, looking for Rolfe and the boys, I would first polish up my boots with motor oil, and I would put on my green hat with a feather that I only wear on special occasions. I could not permit the wild animals of the neighborhood to sneer at me.

But when the bear reached my face, I got frightened again. I knew he couldn't take exception to my shirt. But I wasn't so sure about my face. Those were terrible moments. I lay very still, afraid to open my eyes and afraid to breathe. Sniff-sniff, the huge creature went, and his breath
swept over my face in hot grasps. You hear of many frightening experiences that a man has in a life-time. I have also been in quite a few perilous situations. But if you want something to make you suddenly old and to turn your hair white in a few moments, there is nothing to beat a bear - especially when he is standing over you, with his jaws at your throat, trying to find a good place to bite.

The bear gave a deep growl, stepped right over my body, knocked off my hat, and growled again. I opend my eyes and saw the animal moving away clumsily. But my relief didn't last long. The bear didn't move far. Instead, he turned over and lay down next to me.

Yes, there on the grass, in the shade of the buckeye trees, the bear and I lay down together. The bear lay half-curled up, on his side, with his forelegs crossed, like a dog, and whenever I tried to move away he grunted. I am sure that in the whole history of the Western Reserve there have never been two stranger companions engaged in the thankless task of looking for strayed dogs.

Next day, in Berea at Gray's Candy Kitchen, which people used as a meeting place while waiting for the arrival of the daily motor mail truck from Cleveland, I told my story to the farmers and quarrymen of the neighborhood, while they were drinking coffee and caught up on the neighrborhood news.

"And how did you get away from that bear in the end?" Jilliy van Koos asked, trying to be funny, "I suppose you crawled through the grass and frightened the bear off by pretending to be a snake."

"No, I just got up and walked home," I said. "I remembered that Rolfe might have gone home the other way and strayed into your yard. I thought they would be safer with the bear."

"Did the bear tell you what he thought of the President's last speech in Washington on Iceality?" Frank Welman asked, and they all laughed.

I told my story over several times before the mail truck came with our letters at the post office, and although the dozen odd men and women present didn't say much while I was talking, I could see that they listened to me in the same way that they listened when young Walkin Willy talked. And everybody knew that Walkin Willy was the biggest character in the Berea area.

To make matters worse, young Walkin Williy was there, too, and when I got to the part of my story where the bear lay down beside me, Walkin Willy winked at me. You know that kind of wink. It was to let me know that there was now a new understanding between us, and that we could speak in the future as one tall story teller to another. I didn't like that.

"Look Fella's", I said in the end, "I know just what you are thinking. You don't believe me, and you don't want to say so." "But we do believe you," Walkin Willy interrupted me, "very wonderful things happen in the woods. I once had a twenty-foot rattlesnake that I named Hans. This snake was so attached to me that I couldn't go anywhere without him. He would even follow me to church on Sunday, and because he didn't care much for some of the sermons, he would wait for me outside under a tree. Not that Hans was irreligous. But he had a sensitive nature, and the strong line that the preachers took against the serpent in the Garden of Eden always made Hans feel awkward. Yet he didn't go and look for a buckeye tree to lie under, like your bear. He wasn't stand-offish in that way. An ordinary thorn-tree's shade was good enough for Hans. He knew he was only a rattler, and didn't try to give himself airs."

I didn't take any notice of young Walikin Willy's stupid lies, but the upshot of this whole affair was that I also began to have doubts about the existence of that bear. I recalled queer stories I had heard of human beings that could turn themselves into animals, and although I am not a superstitious man I could not shake off the feeling that it was a spook thing that had happened. But when, a few days later, a huge black bear had been seen from the roadside near the quarry, and then again by Suds McGuires on the way to Olmstead Falls, and again the gnomes complained about their honey tree near Nobottom Valley being raided, matters took a different turn.

A first people jested about this bear. They said it wasn't a real bear, but a black bear animal that had walked away out of my dream. They also said that the bear had come to Berea to have a look at young Walkin Willy's twenty-foot rattle snake. But afterwards, when they had found his tracks at several water-holes, they had no more doubt about the bear.

It was dangerous to walk about in the woods. Exciting times followed. There was a great deal of shooting at the bear and a great deal of running away from him. And the amount of running away reminded me of nothing so much as the First Indian War. The amount of musket and rifle fire I heard in the woods reminded me of nothing so much as the Second Indian War.
But always the bear escaped unharmed. Somehow, I felt sorry for him. The way he had first sniffed at me and then lain down beside me that day under the buckeye tree was a strange thing that I couldn't understand. I thought of the Bible, where it is written that the lion shall lie down with the lamb.

But I also wondered if I hadn't dreamt it all. The manner in which those things had befallen me was also unearthly. The bear began to take up a lot of my thoughts. And there was no man to whom I could talk about it who would be able to help me in any way. Even now, as I am telling you this story, I am expecting you to wink at me, like young Walkin Willy did.

Still, I can only tell you the things that happened as I saw them, and what the rest was about only the woods knows. It was some time before I again walked along the path from The ARK in Berea that leads to the river where the buckeye trees are. But I didn't lie down on the grass again. Because when I reached the place, I found that the bear had got there before me. He was lying almost on the same spot, half-curled up in the buckeye tree's shade, and his forepaws were folded as a dog's are, sometimes. But he lay very still. And even from the distance where I stood you didn't have to be an environmental artist to identify the color red splash on his breast where a Musket bullet had gone.

I stayed with the bear for awhile getting used to the fact that he was no more and in the process it seemed to me that the wind that always stirs in the valley blew very quietly and softly that afternoon. Yes, the wind blew very gently.

As it was getting late I knew I couldn't just leave him there by the river bank. I started to walk along the river path into the deeper forest. When I got to the Reap, I made the cut across Urth Island that started me towards the edge of Nobottom Valley. Along the side of the trail there, there is a glen with an opening into it that you don't see unless you know it's there. All year long people pass by this spot and never stop to see what is on the other side. I did exactly that a couple of times myself and would never have found it until Rolfe disappeared into it one day and I had to followed him. He was good at finding out things like that. Nothing ever got past him. He was special that way. In the glen is an ancient tribe of Natives that have lived there as long as Uncle Paulie can remember. They used to be settled up along the Cuyahoga River in Cleveland, but as the city grew, they got pushed out further and further until they finally ended up here. The village of these ole Cleveland Indians is where I was headed. I spoke with Chief Ojibway and mentioned about the bear lying by the riverbank under the buckeye trees. He thanked me for telling him about this bounty for his village. We said our good-bye's and I left taking the long slow way back to the ARK in Berea across Lonesome Pine Ridge.

By and by it came towards winter and the Christmas season. That day we finished a Sunday potluck dinner at the ARK in Berea and we had a few over-night visitors who were snuggling into their beds as the cold snowy night set in. As everyone else retired, I stayed up by the campfire alone because there are times when you need some peace and solitude to relax and enjoy life's small pleasures. Of course I am referring to the three s'mores I hid still roasting under a bed of ashes in the campfire.
Yes I was all alone except for Rolfe who had his nose inches from where the s'mores lay hidded. Nothing ever got past Rolfe, as I said he was special that way. I took a stick and uncovered one of the s'mores and knocked it out to cool.

It was then just outside the light of the campfire I thought I heard something moving and even Rolfe pulled his nose away from the s'more and was looking around. At these times in the woods at night you have to be very careful and cautious if you value your life and possessions, and I was taking no chances tonite. I bent down by the fire and picked up a long sturdy stick and quickly covered the last two s'mores with ashes. As just quick as that, appearing in the campfire light was my old neighbor, Chief Ojibway, he said he saw the fire far away and that a friend of mine had left something at his village for me and he that he had come to bring it over to me.
We talked for awhile about his wife and kids, and we had some hot mulled cider with wild cherry schnapps from the pot to warm ourselves. He left the package for me and I gave him Rolfe's s'more for him to enjoy and warm up on the long walk back to the village.

Later, when I unwrapped the package, I found it was the hide of the now infamous bear.
Only, in fact, it was in much better shape than when the bear had had it himself. It was washed shiny and clean, and the thorns and twigs were brushed out of it, the red slash on his breast had been cleaned off and the hole was sewn shut.

That’s the same bear hide that now hangs in the ARK in Berea, in a place of honor, so that everyone can see there were once bears in Berea.


Wednesday, June 23, 2010

'Gaia Spricht'


Iceality adds tranquility, distinctiveness to your garden.

Long before you step into the ARK in Berea’s rear garden you hear 'Gaia Spricht' - A cascading fountain covered with fairy land art: unicorns, pixies, gnomes.
'Gaia Spricht' is built into the Walderuin and easily visible from anywhere in the garden. Designed by American Cultural Ambassadors David and Renate themselves, 'Gaia Spricht' is one of just a few fountains in the garden and a source of constant entertainment and pleasure. "I wanted something that brought me something of my homeland of Austria," Renate says. " And I couldn't be happier."
'Gaia Spricht' is German for Gaia Speaks and refers to Gaia as the Spirit personifying Mother Nature. The Ancients believed in the idea that the fertile Mother Earth itself is female, nurturing mankind. 'Gaia Spricht' symbolizes that living organisms and inorganic material through water are part of a dynamic system that shapes the Earth's bioregionalism sphere, and maintains the World in a fit environment for life. At the ARK in Berea, every Earth Day, in a measure to heighten awareness of environmental concerns, the 'Gaia Spricht' water is dyed red to symbolize that water is the lifeblood of the planet. the garden, started in 1976 is an official wildlife habitat and a model and inspiration for future sustainable landscape designs worldwide: According to Natalie Ronayne, executive director of the Botanical Garden, In 2010, The Sustainable Sites Initiative already has the support of the U.S. Green Building Council, the nonprofit trade organization that expects to incorporate the landscape guidelines and performance standards into future updates to the LEED rating system. LEED -- Leadership in Energy and Environmental Design -- is essentially a third-party certification program that has become the nationally accepted standard for design, construction and operation of sustainable buildings.
Bringing art into your garden with Iceality is a perfect way to personalize your outdoor space, whether you buy something that catches your eye, make your own or commission a piece - gardens, art and iceality are natural companions. For the Jakupca’s, connecting with their roots for a major piece in their garden seems fated. Their travels to the olde world bought back many antiques and collectibles that are ideal for an outdoor centerpieces. Renate soon decided to have David create a fountain that would dominate without overwhelming her garden. The Gaia Spricht’s inclusion of a fairyland reflects Renate’s hopes the planted garden would attract the little people as well wildlife from the woods. The piece also has a number of custom-made pieces that David made himself. The artist also included their 6-year-old dog, Mickey, allowing him to help on making some imprints in the path. "I didn't want just anything," Renate says. "I wanted something specific, something personal that made me smile and David did it. It's very peaceful and it makes the garden look bigger than it is."
A quicker way to bring environmental art into your garden is by commissioning a carved wood work. David, a self-taught sculptor whose famous International Center for Environmental Arts (ICEA) “Pieces of Pelee” and “Endangered Spaces” Exhibits have been featured in United Nations Exhibits overseas.
"I just went for it, in the beginning" he says. David uses wood from fallen trees and unusable stumps from seashores and woods to create one of kind outdoor and indoor environmental art. He does commissioned pieces, but this art form is also entertainment to create a sculpture in mere minutes. David often did demonstrations for awed audiences. His pieces are somewhat sentimental, taking you back to those long days of summer on the beach with the family all there. "When you see the works, you kind of remember those days," he says.
Although he uses a variety of wood, David prefers driftwood. He likes the texture and appearance, and there's plenty of it to be found along the Lake Erie shoreline. He starts with a large hunk; the wood's shape dictates the subject. "I'll go in thinking my carving is one thing," David says, "and then something else — will just appear."
He says his work has become more precise in the past seven years that he has been carving Peace Stones for the Worlds Children Peace Monument (WCPM). The Ambassadors are gearing up for a Labor Day weekend trip to participate in the dedication of the Rising Sun, Indiana Peace Stone.
Utilizing iceality, outdoor art has moved far beyond the garden gnomes and the plastic flamingos.

See for yourself visit the ARK in Berea’s website on http://www.theicea.com/

By Bev Miko

Wednesday, June 9, 2010

David & Renate Jakupca inducted into Universal Circle of the Ambassadors of Peace

CERCLE UNIVERSEL DES AMBASSADEURS DE LA PAIX
SUISSE / FRANCE
Né le 3 Août 2004 paru au journal Officiel : 28 août 2004 N° 1019
***********
DAVID & RENATE JAKUPCA Ohio USA
Welcome into the Universal Circle of the Ambassadors of Peace !

We are an association with no
Financial goals and that our only objective is :
to create a core of Peace between all the advocates of Peace.
“All those who work for Peace make together a same Spirit,
a same Soul, a same Heart, a same Body, a same Universal Family of Peace”.

Jean-Paul Nouchi Founder Président
In all Univesal Fraternity of Peace
Fait le 09 Juin 2010

Gabrielle Simond Fait
Présidente

Reproduction et Diffusion interdites

Saturday, June 5, 2010

Message of "PEACE" carved in stone going to the Children of Seven Hills




ARK in Berea: The first Worlds Children Peace Monument (WCPM) Peace Stone of the 2010 peace season was unveiled this Memorial Day at the ARK in Berea. Dubbed the Seven Hills Peace Stone, it will be erected in Seven Hills, Ohio by Mayor David Bentkowski later this summer.

Ambassador Renate said "I am enthusiastic as ever about working with Mayor Bentkowski because of the way he has helped his city, but beyond the overall economic impact, he is most fervent about the power of the arts to awaken children's creativity. This works well with International Center for Environmental Arts (ICEA) WCPM goal which aims to make iceality, arts and culture a major component of neighborhood revitalization and urban renewal nationwide. As the WCPM program gains support it will involve many other federal agencies and public and private collaborations".

The Seven Hills Peace Stone still needs the 'special touch of a child' to be completed. This touch will be indelibly made in the lower right part of the stone.

Thursday, May 27, 2010

Iceality of Recycling Cleveland, Drew Carey's Favorite Rustbucket

Regarding Drew Carey's visit to rebuild Cleveland, the Complete 5 step blog by Dracha Arendee entitled "The Iceality of Cleveland, Drew Carey's Favorite Rustbuck" can be found at this link:

http://lists.topica.com/lists/bereabuzz/read/message.html?mid=914813555&sort=d&start=43

Saturday, February 6, 2010

Artists and Berea Cat unite for ART AID for HAITI

'HAITIAN ICEALITY' - is the understanding of the relationship between the Haitian people, their culture and environment while cultivating a sustainable global culture of peace.


  • -- The brown weave is surrounded by a blue mat as a symbol of isolation in the Caribbean. The natural weave and shells are a representation of the flora and fauna of Haiti.
    -- The background is cracked to symbolize the current earthquake as well as a historical statement  *1
    -- The Peace Stone is the Universal Symbol of Living Peace a representation of the Worlds Children Peace Monument (WCPM).
    -- The Peace Stone Colors are Blue and White - the United Nations colors - symbolizing the UN workers who died in the line of duty.
    -- White Dove is the symbol of WCPM.
    -- The Dove’s ‘Heart of Gold’ is a symbol of the generosity of all the people of the world helping out in this crisis.
    At the core of the heart and artwork is a colorful gem inscribed with a map of the Haitian area.

    ~ Haitian Iceality ~
    David Jakupca
    "The ARK in Berea has made the Greater Cleveland Area is the home of the Environmental Art Movement. And Environmental Arts has been recognized as the indigenous art form North East Ohio.
    ICEAlity inspires architecture for ALL Living Things and can be called a Cleveland Artists Foundation. ART AID has the ability to actually help make a difference in the situation in Haiti and I just can not using this sustainable initiative to help make a difference in the future of the country. I would also have my artwork 'Haitian Iceality' made a memorial for 101 employess of the  United Nations 2* who were killed eight weeks ago in the Haiti earthquake, the largest one-day toll in the organization’s history." Said David Jakupca, American Cultural Ambassador.
    *1 - When this part was painted at the ARK in Berea, to accelerate the drying process, it was left on the floor near a heater vent to dry while I ran some errands. Later we found Rebel, our adopted cat from Berea Animal Rescue, had climbed into the warm wet paint and made some additions to the painting himself then used it as a catnapping place. He has done this before, and upon review, as Cultural Ambassador, I decided to leave the natural ”corrections” Rebel had made to the final painting.

    *2 - United Nations in Haiti:

    United Nations
    Stabilization Mission in Haiti (MINUSTAH)

    http://www.un.org/en/peacekeeping/missions/minustah/

    UN
    News Centre - News Focus: Haiti Earthquake

    http://www.un.org/apps/news/infocusRel.asp?infocusID=91


********************************************************
1987 to 2007- Twenty Years of Community Service
"ICEALITY - assisting in the understanding of the relationship between Humans and
their Environment through the Arts to promote a sustainable Culture of Peace"

International Center for Environmental Arts (ICEA)

P. O. Box 81496
Cleveland, Ohio 44181 USA
Phone/fax: 440-891-8376
Email:
ICEA2000@sbcglobal.net
http://www.theicea.com

Friday, August 7, 2009

The Living Green Walls at the ARK in Berea Eco-Musem


THE PIONEER IN MODERN URBAN GARDENING

ARK in Berea Eco-Museum - Green architects are now moving into designing living green walls -- think a vertical garden on the wall of a building -- as green roofs and urban gardening become more common stream. The ICEALITY incorporated in these walls help cool the buildings in the summer (reducing solar heat), insulate the building in the winter, water management (reduced storm water runoff for growth), and have the potential for helping feed the people (think vegetables, herbs....).
The living wall offers a real benefit in rain water mitigation, offering the potential for reducing the burden on storm sewers and, down the line, pollution into water systems. And, the green vegetation provide a cooling effect in summer. And, part of the ARK in Berea’s overall environmental impact on climate change -- the 25 year old “living wall” increase greenery while improving the air.

There are two main categories of green walls: green facades and living walls. Green facades are made up of climbing plants either growing directly on a wall or, more recently, specially designed supporting structures. The plant shoot system grows up the side of the building while being rooted to the ground. In a living wall the modular panels are often comprised of polypropylene plastic containers, geo-textiles, irrigation systems, a growing medium and vegetation.

As shown in reports from the US Network for EXPO2000, a project of the International Center for Environmental Arts (ICEA), urban population growth is not a sustainable option. Arne Dunker, manager of the Klimahaus in Bremerhaven states, "I remember having a discussion about whether it's a good idea to teach people that mankind is part of the global climate problem....this was way back in 2000 during the EXPO 2000 Worlds Fair in Hanover, Germany, this was a very controversial situation then, but today there’s no question that mankind contributes a lot to the climate problem."

Green buildings are now an essential constituent of urban quality of life. It is noteworthy, however, that some cities have been more successful in implementing a green building policy than others. One consideration is geography, the insulating implications of five or six inches of soil might not be critical in modern super insulated buildings, but most buildings in temperate climates, are unlikely to have R-40 or so in the walls. Thus, an additional factor is the interesting question of back fitting opportunities in some cities. Vertical walls could be relatively easy retro-fitted onto many buildings and many homes around the world. And they might offer the potential for significant energy savings along with fresh vegetables for the dinner table.
Greener buildings are supposed to revolutionize the way the nation's built environment operates chiefly by using less energy. Seeing as U.S. commercial buildings account for about 30 percent of carbon emissions, according to the U.S. Green Building Council, improving the performance of the built environment is a key focus of all green building rating systems. But the green building industry has a dirty little secret: Until recently, few people really kept track of how so-called "high-performance buildings" were actually performing. The iconic Cleveland architecture of the
ARK in Berea Eco-Museum pre-dates the U.S. Green Building Council and its LEED certification program.

The main driver for green buildings in the United States is the U.S. Green Building Council's Leadership in Energy and Environmental Design (USGBC-LEED) rating system. LEED-certified buildings, at the basic Certified level, are designed to use 30 percent less energy than buildings built to standard code. It would make sense to assume that LEED-certified buildings at all levels do in fact perform as advertised.

"We're not seeing the true performance we might have expected [out of LEED-certified buildings]," says Jared Silliker, owner of Silliker + Partners, a green building-focused consulting firm based in Seattle.

Unfortunately, in practice, incorporating commercial "green roofs" is used by businesses more as a public relations pitch aimed at the general population who don't know any better. "Green" roofs actually require an extraordinary amount of precautionary measures from water proofing to specialized drainage to additional structural fortification to support the extra loads. By the time any savings from lower cooling costs are finally realized, it's time for some costly roof repair work - which, by the way, may well cost more that the average roof repair/replacement. All for the sake of "giving back" to the environment, or replacing the CO2 that the building's footprint took from the land it sits on. It's the way the world works today; auto, oil, banking, and every other industry, including the green industry, have been spinning their PR magic for years but as long as tax payers are not footing the bill there is no problem.

Similarly, commercial "green walls”, though admirable for the heat gain reductions to the building envelope it will bring, may cost more than the very simple and zero maintenance solution of simply designing buildings with an "outer skin" that "floats" (is suspended) a foot or so away from the face of the building, providing a thermal break. Essentially a giant shade that air can flow behind so that no heat gain is realized by the actual building envelope.

The
ARK in Berea Eco-Museum living green wall is a residential example done in a cost effective manner that is a good solution for preventing houses from heating in summer and does not require substantial life-time maintenance costs, and a added incentive is that it is quite attractive.

The plant primarily used in the
ARK in Berea Eco-Museum living wall is English Ivy and are about 25 years old.
Characteristics of English Ivy Plants: Taxonomy classifies English ivy plants as Hedera helix.
English ivy plants can act as ground covers, spreading horizontally and reaching 8" in height. But they are also climbers, due to their aerial rootlets, which allow them to climb to heights of 80' or more. They will eventually bear insignificant greenish flowers but are grown primarily for their evergreen foliage.


Simple Care for English Ivy Plants:
Their ability to grow in shade has made English ivy plants a traditional ground cover for problematic areas where most plants do not grow well. Their vigorous, dense grow habit makes them an effective ground cover where the object is to crowd out weeds. On slopes, they can be used for erosion control. The advantage of ivy vines climbing ability makes them excellent for ‘living walls’. In the Christmas carol, "The Holly and The Ivy," we see a symbolism with these two evergreen plants can be cut and used for natural Holiday decorations too.

ICEA Cleveland Ingenuity: Green Walls Would Make Great Highway Sound Barriers.
I think some civil engineers really need to pick up on this. The ICEALITY is that if they incorporated these into the sound barriers that ran between busy highways and city neighborhoods, it would be a beautiful feature that would help clean up the air and cancel out noise quite well. This is really a good idea, sometimes simpler ideas are the most effective.



ARK in Berea Eco Museum
http://landscaping.about.com/cs/lazylandscaping/g/planttaxonomy.htm
http://en.wikipedia.org/wiki/Green_wall
http://www.usgbc.org/leed/
http://www.klimahaus-bremerhaven.de/
http://www.TheICEA.ComHow did the plain green lawn become the central landscaping feature in America, and what is the ecological cost?  https://longreads.com/2019/07/18/american-green/